thurston belmer & jack rosenberg: ICONIC VIGNETTES
April 6 - May 13, 2017SELECTED WORKS
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Thurston Belmer
Untitled #2
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Thurston Belmer
Untitled #3
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Thurston Belmer
Untitled #4
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Thurston Belmer
Bone and Blood
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Thurston Belmer
Fourth Floor Walk Up
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Thurston Belmer
Portrait with a Purple Vase
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Thurston Belmer
Untitled #1
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Thurston Belmer
Gogol Eyes
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Thurston Belmer
To Make a Bed of Wood
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Thurston Belmer
Goethe
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Thurston Belmer
Myoconus
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Thurston Belmer
Pangloss
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Thurston Belmer
Untitled #6
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Thurston Belmer
Still Life
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Thurston Belmer
Self Portrait
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Thurston Belmer
Humilitas Occidit Superbiam
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Thurston Belmer
The Sleep of the Dead
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Jack Rosenberg
Anna (Prima Fashionista)
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Jack Rosenberg
Jackie
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Jack Rosenberg
Maya
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Jack Rosenberg
RBG
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Jack Rosenberg
Swansies
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Jack Rosenberg
Tanya
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Jack Rosenberg
A Maecenas
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Jack Rosenberg
The American Cowboy
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Jack Rosenberg
Auntie Tronie
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Jack Rosenberg
Babies
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Jack Rosenberg
Double Queen Elizabeth
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Jack Rosenberg
John Triple
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Jack Rosenberg
Le Due Papi (after Velazquez)
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Jack Rosenberg
Man in Orange Turban (after van Eyck)
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Jack Rosenberg
Roxbury Series #6
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Jack Rosenberg
Sunset of the British Empire (the Red Queen)
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Jack Rosenberg
Geisha
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Jack Rosenberg
It’s Not What You Think
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Jack Rosenberg
Jan
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Jack Rosenberg
The Film Buff
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Jack Rosenberg
DJ Arvee
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Jack Rosenberg
Nike Man
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Jack Rosenberg
Dodge-Ball
PRESS RELEASE
DOWNLOAD PRESS RELEASEDenise Bibro Fine Art announces its upcoming exhibition, Iconic Vignettes, works by Thurston Belmer and Jack Rosenberg. One may wonder why match these two artists. Yet, on inspection, one can see that, although their works are distinctly different, they often reflect similar schools of thought and reference.
Both artists treasure the iconic images of their forebears and have cultivated their own way to present universal truths, dialogues, and stories. Despite the timelessness of the concepts, each finds a different way to interpret them with a contemporary twist. Their works are multi-layered aesthetically and conceptually. Often referring to iconic images of the Dutch Masters. Several works employ chiaroscuro and light; techniques frequently used by the Masters. In many cases these two contemporary artists depict their subjects in garments like those of the 15th to 17th centuries. Albeit their similarities, these two artists differ in the mood of their art. Whereas Belmer’s work is often muted, mysterious, dark and introspective, Rosenberg’s work is often mischievous, full of double-andante and humor.
Thurston Belmer’s Untitled #2, 2016 depicts a 15th century Dutch-like female caught in a moment of thought. While the Masters often depicted their figures in more intimate settings, Belmer’s beautifully rendered lady is close upfront. This work, like most, deals with loss, alienation, and the absurd. As the artist says himself, “…the word absurd in the sense of the cultural movement—our search as humans to locate inherent, universal meaning, and our human inability to find any.” Jack Rosenberg’s, It Is Not What You Think, 2012 depicts a man, perhaps from the same era. It is possibly a subject of either someone else’s or the artist’s pranks. Rosenberg’s language is layered with conceptual and perceptual revelations. Among Thurston Belmer’s recent major exhibitions are: Governor’s Island, NYC; Dacia Gallery, NYC; Salomon Arts Gallery, NYC; Central Booking Gallery, NYC; One Art Space, NYC; Dacia Gallery, NYC; The Hinge Gallery, Saint Louis, MO; University of New Haven, New Haven, CT. He studied at Sam Fox School of Design and Visual Arts, Kemper Museum of Art, Saint Louis, MO and Washington University in Saint Louis, MO, as well as other well-known institutions. He has been reviewed in Artefuse, Fine Art Connoisseur, Hyperallergic, Artribune, and International Painting Annual to name a few. Jack Rosenberg has numerous exhibitions, including solo and two-person exhibitions, at the Washington Arts, Washington, CT; Caelum Gallery, NYC; The Silo Gallery, New Milford, CT. He has also shown in numerous group exhibitions including most recently, Washington Art, Washington, CT; Jan Kossen Contemporary, NYC; Karlyn Mannix Contemporary, NYC. He has had notices in the New York Time, NYC; Litchfield County Times, Litchfield, CT; Housatonic Times, CT; East Hampton Star, LI, NYC among others. He studied at the, New York Academy of Art, NYC; Florence Academy of Art, Florence, Italy; and Prince Charles Drawing School, London, U.K.